Hugh Behm-Steinberg is a poet and short fiction writer. His books of poetry include Shy Green Fields (No Tell Books, 2007) and The Opposite of Work (JackLeg Press, 2012), as well as three Dusie chapbooks, Sorcery (2007), Good Morning! (2011) and The Sound of Music (2015). In 2015 his short story “Taylor Swift” won the Barthelme Prize for short fiction, and his story “Goodwill” was picked as one of the Wigleaf Top Fifty Very Short Fictions of 2018. A collection of prose poems and microfiction, Animal Children, is forthcoming from Nomadic Press in January, 2020. Recipient of an NEA and a Wallace Stegner Fellowship, he is chief steward of the adjunct faculty union at California College of the Arts, SEIU 1021.
Wendy Taylor Carlisle
Wendy Taylor Carlisle lives and writes in the Arkansas Ozarks. She is the author of four books, Reading Berryman to the Dog, Discount Fireworks, The Mercy of Traffic, and On the Way to the Promised Land Zoo, and five chapbooks. See her work online and in print in Persimmon Tree, pacificREVIEW, 2RiverView, Mom Egg, San Pedro River Review, Atlanta Review and others. She has an MFA from Vermont College of Fine Arts, has been anthologized, and has 12 times been nominated for the Pushcart Prize. For more information, her website is www.wendytaylorcarlisle.com.
Virginia Chase Sutton
Virginia Chase Sutton is the author of the full-length collections Embellishments, What Brings You to Del Amo, and Of a Transient Nature, and the chapbook, Down River. Sutton’s poems have won the Louis Untermeyer Poetry Scholarship at Bread Loaf, the Allen Ginsberg Poetry Award, and the National Poet Hunt. She has been a fellow at Writers at Work, the Ragdale Foundation, and the Vermont Studio Center. Sutton has won the Paumanock Visiting Writer’s Award and Reading Series and has been a finalist for the Dana Award in Poetry. Her poems have appeared in many journals, including Paris Review, Ploughshares, Western Humanities Review, and Poet Lore, and have received seven Pushcart nominations. Sutton lives in Tempe, Arizona.
Colleen S. Harris
Colleen S. Harris serves as a librarian on the faculty at California State University Channel Islands, where she also teaches in the Freedom and Justice Studies minor. In addition to These Terrible Sacraments (Doubleback 2019; Bellowing Ark 2010), she is the author of God in My Throat: The Lilith Poems (Bellowing Ark, 2009) and The Kentucky Vein (Punkin House, 2011), as well as the chapbooks That Reckless Sound and Some Assembly Required out of Porkbelly Press (2014). She is a three-time Pushcart Prize nominee for poetry and short fiction, and the co-editor of Women and Poetry: Writing, Revising, Publishing and Teaching and co-editor of Women Versed in Myth: Essays on Modern Poets. Her work has also appeared in Main Street Rag, Wisconsin Review, The Louisville Review, Sow’s Ear Poetry Review, and is forthcoming from Mezzo Cammin. Harris holds the MFA in Writing, an MS in Library and Information Science, an MA in Mythological Studies, and an EdD in learning and Leadership.
Jamie Moore is a writer and professor in California. She received her MFA in fiction and is a Kimbilio Fiction Fellow. She is an alumna of the VONA writers and Mendocino Coast writers workshops. She can be found on social platforms at @mixedreader.
Sarah J. Sloat
Sarah J. Sloat lives in Frankfurt, Germany, a stone’s throw from Schopenhauer’s grave. Her poems and prose have appeared in West Branch, Hayden’s Ferry Review, and Beloit Poetry Journal. Sloat’s chapbook of poems on typefaces and texts, Inksuite, is available from dancing girl press, which also published Heiress to a Small Ruin in 2015.
The author of 19 books of poetry, fiction, memoir, biography, and translation, Terese Svoboda will publish her eighth book of poetry, Theatrix: Play Poems (Anhinga Press) in 2021. Anything That Burns You: A Portrait of Lola Ridge, Radical Poet appeared in paper in 2018, and Great American Desert, a book of stories, in 2019. A Guggenheim fellow, she has been awarded the Bobst Prize in fiction, the Iowa Prize for poetry, and NEH grant for translation, the Graywolf Nonfiction Prize, a Jerome Foundation prize for video, the O. Henry Award for the short story, and a Pushcart Prize for the essay. Her opera WET premiered at L.A.’s Disney Hall.
Manuela Williams is the author of two poetry chapbooks: Witch (dancing girl press) and Ghost in Girl Costume (originally published as part of the 2017 Hard to Swallow Chapbook Contest). Her work has appeared or is forthcoming in Night Music Journal, Bear Review, Thimble, The Mantle Poetry, Bone Bouquet, and other places. She is a regular contributor for DIY MFA and is the author of “The Poet’s Toolbox” column.